Rainforest Congo Modern Transformations
  As the opening presentation of the Face Painting International Convention of 2003, Christopher performed Transformation! A World History of Masks and Facepainting. He began his show with these six traditional designs, each of which has held a lesson in his own development as a facepainter. Click on the images to learn their stories:  
 
 
     
 
Every human culture uses masks, make-up and body art as a way to transform an individual’s identity — whether for ritual, theatre, fashion or just for fun.
Beginning with the Congo event at the Bronx Zoo, our company has been researching and developing facepainting styles based on traditional art from around the world. We paint these faces now as part of our general repertory and feature them for special events with cultural or international themes.
The painted faces of Chinese Opera or Japanese Kabuki Theatre; the face and body decorations of indigenous people living today in Papua New Guinea and the Amazon; the paintings of Plains Indians by George Catlin; the incredible photographs from the 1970’s of the painted bodies of the Nuba in Africa — these are the masterpieces of the art of facepainting. As artists, we are students of these images we see in photographs and museums. They educate and inspire us. They bring a depth to our work that helps to elevate our facepainting beyond being just an entertainment for children.
By bringing these faces to the public in a modern context we keep alive the traditions that are the foundation of this art of transformation.
 
   
 
imitating and re-creating traditional designs Click on the images to learn their stories
A stylization of the status make-up of the moran, or warriors, of the Maasai and Samburu - traditional nomadic herdsmen of Kenya, Africa. Their elevated status allows the young men time to decorate themselves through costume, hair and body art.
The famous Monkey King make-up of the Chines Opera. When I first painted eyes on the eyelids of a woman who wanted to be a tiger I thought Id invented something. The Monkey King had been doing that trick for 200 years.
Gods and mythic beings come to life through elaborate make-up in the Kathakali and other theaters of Kerala, India. This design is Arjuna Niritamm for the Atham celebrations at Tirupunthura
This facepainting is from a famous wooden mask of the Haida in British Columbia from the late 1800s
From a George Catlin painting of 1845, an Ojibwa chief called strong wind with a hand image over his mouth.
A mix of images from the Amazon section of
There is a golden lionheaded helmut of some Medieval Duke in the Metropolitan Museum of Art, it harkens back to Hercules and Nemedian Lion. There are also the jaguar helmuted ceramic figures of Mayan warriors
This is the facepainted version of a Mexican mask which supposively depicted an Aztec ceremony in which competitors danced with a live snake in their mouths. From the Cervantino Festival in Guanajuato, Mexico
A design from a wonderful photo in the book “African Ceremonies” of Surma women painting each other for annual festivals. The men, women and children paint themselves primarily in geometric patterns of dots and lines with chalks and ochre pigments.
A spooky face from a contemporary example of a Namahage demon mask from the Akita Prefecture in Japan. Japanese traditions and folktales include some great descriptions of demons, goblins and monsters as a source for facepainting imagery.
Chinese Opera makeup traditions go back hundreds of years and depict gods, monsters, heroes, villains, clowns and animals. The asymmetrical swirling lines of this Peking Opera styled design give it a sense of motion as if the face is still in transition.
In the book “Man As Art”, Malcolm Kirk presents extraordinary photographs of painted people from Papua New Guinea. We paint such traditional designs on people at events to learn from them and to keep this ancient art alive in our modern world.
 
   
 
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